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Sigrid Thornton

by
Lisa Dethridge


Sigrid Thornton's screen image is an Australian icon - a kind of bridge between
ourselves and our aspirations. Over a twenty year acting career, she's starred in
successful Australian dramas such as The Man from Snowy River 1 & 2; All The rivers
run; 1915; Boy in the Bush; The Far Country; Slate, Wyn and Me; Great Expectations
and The Untold Story. Thornton lives in our minds as the essential Australian battler;
from pioneering bush woman to her latest incarnation as a magistrate/career-mother in the runaway ABC hit series Sea Change.

Just as Jack Thompson, Bryan Brown or Russell Crowe represent the all-weather
Aussie male, Sigrid Thornton is his well-seasoned counterpart - tough but sexy;
fuss-free but cultivated; the archetypal Australian heroine. In a screen culture
conditioned to chew-up and spit-out young beauties, her track-record suggests she has
that most valuable of show-biz assets; staying power. We had lunch recently to
celebrate her current success and discuss what it takes to maintain position in the
shifting sands of show-business.

I first met Thornton in Hollywood 1990, when we were both embraced by the small,
supportive clique of Australian writers, directors and thespians taking a crack at the
big-time. In those days, she had the lead role in U.S. network TV series Paradise, a
western saga which she helped steer to high-rating popularity. These were heady days. While the rest of us were consumed by the Hollywood shuffle - schmoozing; hustling; pitching and planning every career move as a strategic campaign, Thornton looked like a natural. Not only was she navigating the intricacies of the network system, she was also raising a small son and managing households in two countries.

Despite all the pressure, Thornton never succumbed to the kind of affectations and
"attitude" that often touched those who achieved success in Lotus Land. Everyone else
may've been in power shoulders and nine inch heels but at the height of her Hollywood
glamour-phase, Thornton would show up to parties in sandals and a jersey-print dress,
looking fresh as a schoolgirl. She'd rather swap notes about our children than swap
studio gossip. She seemed to stand outside the fray.

Thornton may have looked cool under pressure but it's no surprise when she reveals
that Hollywood represented a very steep learning curve. While shooting the Paradise
series, she settled temporarily into a comfortable Hollywood Hills home with her
husband, Tom Burstall and their son. The Thornton-Burstall house was a well known
party location for buddies including Phil Noyce; Gillian Armstrong; Fred Schepisi;
Deborah Lee Furness; Deborah Conway; Paul Kelly and other wandering artists. She
remembers these days as "a great, wild adventure. Hundreds of people went through
our parties. We had a crazy treehouse staircase in the back garden that climbed up a
hill to the jacuzzi so we put up a sign "climb at your own risk" to protect ourselves from litigious guests who might fall over drunk and sue us."

With a second child on the way, Thornton returned to the relative sanity of Australia,
which she sees as the ideal place to raise kids. She and Burstall renovated two
Victorian terraces in North Melbourne, combining home and office space around an
internal brick courtyard and a jungle garden. In this bustling family home, kids
definitely take priority. Furnishings are well worn and comfortable; with lots of
woodwork; hand-carved chairs; woolly rugs; open fires and a big pot of curry on the
stove. The Melbourne compound may be just as beautiful as her Hollywood spread but
was it hard to leave the glamour of the high life behind? "Los Angeles was a terrific
episode. Now we're in another phase. I don't miss it. I feel relieved to be raising my
kids here in Melbourne."

Thornton's main accomplice in all this is her husband, Tom Burstall. The two of them
were childhood sweethearts and have virtually grown up together. Tom is a big
handsome bear of a man, hallmarked by a wide, satirical smile. He works works with
film and TV producers as a completion guarantor, to monitor production and protect
investor finance. He loves to play the kind of irreverent larrikin immortalised on film by
his father, director Tim Burstall (Alvin Purple, Stork, Petersen.)

Continued on Page 2 - Click Here For Page 2

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